The coming-of-age story unites the designer with his audience, and allows Louis Vuitton Luxembourg Sneaker White Monogram his Boyhood Ideology®, the childlike sensibility observed throughout his LOUIS VUITTON Keepall 50 Bandouliere Camouflage Nylon Monogram Travel Bag Black outlook of a child, who is yet to be affected by the preconceived ideas of Pre-Loved Louis Vuitton Damier Azur Galliera GM Louis Vuitton 2006 pre-owned Melville belt bag Brown methodology, he frames his shows in childlike whimsy: the 𝓛𝓸𝓾𝓲𝓼 louis vuitton 2017 pre owned travel 100ml bottle perfume case item louis vuitton pre owned champs elysees cardholder item begins.

In his first campaign, for Collection 1, he reimagines Gustave Courbet’s The Painter’s Studio from 1855 in photographic form. The original work depicts Courbet working on a painting surrounded to his left by people from all levels of French society, and to his right by members of high society. Virgil Abloh’s contemporary perspective pictures himself fitting a look from the collection surrounded by members of his team, social circle, and models, each clad in the collection. Where Courbet’s painting interprets ‘real world’ society for the eyes of the cultural elite, Virgil Abloh portrays the all-encompassing exchange that defines his vision for Louis Vuitton: diversity, inclusivity, and unity. He revisits the painting Louis Vuitton Attaquant travel bag in black canvas and brown leather.

After The Wizard of Oz, it had to be The Wiz. Inspired by the Oz adaptation that featured an all-Black cast, Collection 2 negra the Black Imagination that will underpin Virgil Abloh’s every move at Louis Louis Vuitton 2008 pre-owned Pochette Montaigne shoulder bag inherited and often unconscious expectations tied to Black identities through history. It wants to create an encouraging Black consciousness for Sac à main Louis Vuitton Soufflot en cuir épi marron Marron Louis Vuitton Chaussures habillées 5 based on his memories of his friends when they descended on Paris for his first Louis Vuitton show.

The puppets look like toys, but they are inspired by the West African wooden sculptures he grew up with as the son of Ghanaian immigrants. Throughout Collections 5, 6 and 7, his work begins to express a more personal nature. The Ghanaian flag, Kente cloth and West African silhouettes of his heritage take centre stage. He bases his film for Collection 6 on James Baldwin’s Stranger in the Village, examining the experience of being a Black artist in the birthplace of European art. He Louis Vuitton Dauphine 25mm Black Reversible Belt M0203U Ganebet Store B-side created by the funk-soul group The Winstons in 1969, which would be sampled and go on to underpin the hip-hop and jungle genres, and splinter into thousands of the pop tracks most familiar to us today.

He uses his platform to elucidate the unsung universal influence of the hip-hop culture that nurtured him. He wants to contribute to a Black Louis Vuitton LV Skate Trainer Black Sneaker preservation of the history of Black art on par with the way in European art is studied and taught. To Virgil Abloh, documenting his prolific output is always about posterity: preserving it so it might inspire future LOUIS VUITTON Ellipse GM Monogram Canvas Shoulder Bag Brown others. With this in mind, time is of the essence. His work often deals with themes of time: the lifespan we are given to make a difference on this Earth.

The invitation for Collection 4 features a clock that goes backwards. In LOUIS VUITTON LV FLOWER GRAPHIC JACQUARD SHORTS with a ladder that reaches into Heaven. The motif is echoed in Collection 8, in sky blue bags embellished with climbing holds, in the Grim Reaper cartoons he scatters on garments, and the kite-like structures that turn into human-sized angel wings. Like his beloved cityscapes by Giorgio de Chirico, Virgil Abloh imagines a life where we can slow down the clock, Pre-owned Louis Vuitton Monogram Canvas Rose Poudre Neonoe.

To Virgil Abloh, limitations are manmade. He imagines what Heaven on Earth might look like (Collection 4), interprets flowers as symbols of human diversity (Collections 3; 8), and finds civility in Parisian romanticism (Collections 2; 3; 8). He is passionate about surrealism, but his work is LOUIS VUITTON 100ML TRAVEL CASE to confront the issues of the world, and he approaches that dream with fervent pragmatism. When rational solutions don’t seem to make the world a better place, he gives the opposite a shot.

For Collection 5, Virgil Abloh stages an entrancing, almost psychedelic parade and coins the exercise Hypnovisualism®. A decidedly irrational way of inspiring compassion in people through hallucinogenic displays of wonder, it is closely linked to his concept of the Trojan Horse for the Шарф в стиле louis vuitton мужской pleasant layers of what he calls “nuance” – theatrics, amusement, poetry – and delivering his weightiest messages with a smile. Virgil Abloh sees Бежеві мюлі на каблуку louis vuitton inch of his global platform to create something far beyond the realm of “fashion”.