The coming-of-age story unites the designer with his audience, and allows Sac cabas Louis Vuitton Louis Vuitton Sac Plat en toile damier ébène et cuir marron louis vuitton monogram keep all 55 boston bag oeuvre. Virgil Abloh defines the Boyhood Ideology® as the unspoiled outlook of a child, who is yet to be affected by the preconceived ideas of Сумка бананка в стиле louis vuitton мужская Louis Vuitton's Metropolis Ranger ankle boot from resort '20 methodology, he frames his shows in childlike whimsy: the 𝓛𝓸𝓾𝓲𝓼 Louis Vuitton 2010 pre-owned Damier Ebène Speedy 30 handbag Brown Сумка торба louis vuitton шкіра канва begins.

In his first campaign, for Collection 1, he reimagines Gustave Courbet’s The Painter’s Studio from 1855 in photographic form. The original work depicts Courbet working on a painting surrounded to his left by people from all levels of French society, and to his right by members of high society. Virgil Abloh’s contemporary perspective pictures himself fitting a look from the collection surrounded by members of his team, social circle, and models, each clad in the collection. Where Courbet’s painting interprets ‘real world’ society for the eyes of the cultural elite, Virgil Abloh portrays the all-encompassing stabilitate that defines his vision for Louis Vuitton: diversity, inclusivity, and unity. He revisits the painting for Collection 8, adapting the original into tapestries and prints.

After The Wizard of Oz, it had to be The Wiz. Inspired by the Oz bolso de mano louis vuitton lockit en cuero epi negro Black Imagination that will underpin Virgil Abloh’s every move at Louis Vuitton. Black Imagination denotes the rethinking and overturning of Louis Vuitton 2000 pre-owned Keepall 50 travel bag through history. It wants to create an encouraging Black consciousness for the present and the future. Merging this premise with his Boyhood Ideology®, Virgil Abloh creates a colourful crew of puppets for Collection 5 Louis Vuitton Official his first Louis Vuitton show.

The puppets look like toys, but they are inspired by the West African Louis Vuitton Monogram Tuileries Tote 2Way Hand Bag M41456. Throughout Collections 5, 6 and 7, his work begins to express a more personal nature. The Ghanaian flag, Kente cloth and West African silhouettes of his heritage take centre stage. He bases his film for Collection 6 on James Baldwin’s Stranger in the Village, examining the experience of being a Black artist in the birthplace of European art. He Великий палантин шарф шаль louis vuitton ® women's B-side created by the funk-soul group The Winstons in 1969, which would be sampled and go on to underpin the hip-hop and jungle genres, and splinter into thousands of the pop tracks most familiar to us today.

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The invitation for Collection 4 features a clock that goes backwards. In the middle of the surrealist cloud-adorned show set stands a tree fitted with a ladder that reaches into Heaven. The motif is echoed in Collection 8, in sky blue bags embellished with climbing holds, in the Grim Reaper cartoons he scatters on garments, and the kite-like structures that turn into human-sized angel wings. Like his beloved cityscapes by Giorgio de Chirico, Virgil Abloh imagines a life where we can slow down the clock, turn back time, or even make it come to a stop.

To Virgil Abloh, limitations are manmade. He imagines what Heaven on Earth might look like (Collection 4), interprets flowers as symbols of human diversity (Collections 3; 8), and finds civility in Parisian romanticism (Collections 2; 3; 8). He is passionate about surrealism, but his work is never as passive as escapism. At the core of his ethos is a genuine desire to confront the issues of the world, and he approaches that dream with fervent release. When rational solutions don’t seem to make the world a better place, he gives the opposite a shot.

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